Christopher and Justin Swader

A Midsummer Night’s Dream

A Midsummer Night’s Dream

A Midsummer Night’s Dream, streamlined to 90 minutes and staged outdoors by Classical Theatre of Harlem, is as cool and fizzy as a glass of Prosecco. Judging by the wild guffaws and applause on opening night, the zanies who populate this most fanciful of Shakespeare’s comedies (embodied by a top-flight cast of youthful New York actors) kept a steady hold on playgoers’ attention, despite the distraction of sirens punctuating the Bard’s iambic pentameter, helicopters overhead, and heat only slightly below the day’s high of 90 degrees Fahrenheit. At a dramatic moment, an explosion of amateur fireworks just outside the amphitheater added a fortuitous burst of red and orange to the twilit sky, eliciting a gasp of audience amusement.

Click for print friendly PDF version of this blog post

Scarlett Dreams

Scarlett Dreams

In addition to introducing the word robot to the English language, Czech writer Karel Čapek’s 1920 sci-fi drama R.U.R. depicted a dystopian world in which scientifically manufactured laborers gradually eradicate humans. The play perfectly captured the anxieties of the burgeoning Machine Age and was a big hit on Broadway in 1922. S. Asher Gelman’s Scarlett Dreams attempts to tap into similar uneasiness as the former Information Age settles into the current Age of Intelligence. With the meteoric advancement and sudden ubiquity of artificial intelligence (AI), the play suggests that it may be just a matter of time when people will be controlled by digital avatars, and the difference between reality and virtual reality (VR) will become purely conjectural.

Click for print friendly PDF version of this blog post