The first thing to know about The Gospel According to Heather: It’s way out of author Paul Gordon’s wheelhouse. Gordon, the rare writer who creates book, music, and lyrics, specializes in adaptations of lofty classics, most prominently Jane Eyre. His 2009 version of Daddy Long Legs gets produced a lot (while convincing some of us that epistolary musicals aren’t a great idea). For The Gospel According to Heather he turns thoroughly contemporary, with an original story so current that there are jokes about drag storybook hour, Dylan Mulvaney’s Budweiser ad, and the congressional tussle over gas ovens. Heather, like its title character, isn’t perfect, but it has more on its mind than the average musical comedy, and it dispenses its outrage with verve and good humor.
Murder Most Merry
The arrival of Shear Madness in New York comes 36 years after the runaway hit opened in Boston. Since then, other editions have taken up residence in other cities, and inevitably the suspicion arises that the lengthy delay bodes a show that might not meet New York’s high standards. Happily, the lunatic confection at New World Stages indicates the opposite: all those years have helped create an indestructible engine for laughter that should keep its cast bankrolled for quite some time.