Marc Atkinson Borrull

The Beacon

The Beacon

Meet your new mother-in-law, Beiv (Kate Mulgrew): she’s Ireland’s “great feminist artist” who lives on a remote island off the coast of West Cork, has an acerbic wit and an imperious manner, a penchant for knocking down the walls of her house, a strained relationship with her son, and may have murdered her husband. Oh, and she didn’t know her son was married until you showed up with him from San Francisco. This is the situation that 23-year-old Bonnie (Ayana Workman) finds herself in at the outset of Nancy Harris’s overstuffed mystery The Beacon, which was commissioned by Druid Theatre Company and now arrives at the Irish Rep after a 2019 run at the Gate Theatre in Dublin.

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Little Gem

Little Gem

Having presented excellent revivals of Sean O’Casey’s three most important plays, the Irish Rep has turned to Little Gem, a new play by Elaine Murphy, that’s riskier. The play consists of three intertwined monologues. The structure may not appeal to everyone, and it’s a work that will find more resonance among women, but the performers, under the direction of Marc Atkinson Borrull, bring all their considerable power to invigorating a story that doesn’t rely on flash or action.

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