An advantageous business offer, with a loveless marriage thrown in: this is one of the would-be “partnerships” around which Elizabeth Baker’s 1917 drama Partnership, a feminist parable and Romantic cri de coeur in the guise of a comedy of manners, revolves. As is so often the case with the plays that the Mint Theater Company rescues from obscurity, the issues are both historically specific and still relevant. Must the demands of business always be at odds with personal nourishment? Should one prize practicality or love? Does respectability entail a life of drudgery, while a life well lived means being branded as “mad”?