Tennessee Williams’s Cat on a Hot Tin Roof features roles that are (pardon the expression) catnip to adventurous actors. This land mine of a play premiered in 1955, a year that, in retrospect, seems the apex of Williams’s success. The playwright’s career took off with The Glass Menagerie in 1945, followed by A Streetcar Named Desire in 1949, and continued for 28 years after Cat, until his death in 1983. During a long literary decline, he wrote a number of lesser, though admirable, plays, but even the best of those don’t measure up to his depiction of the Pollitts, a clan of nouveau riche Southern strivers squabbling over “twenty-eight thousand acres of the richest land this side of the valley Nile.”
The Glass Menagerie
Tennessee Williams’s 1945 breakout play, The Glass Menagerie, takes place in “memory,” as the brooding narrator/protagonist Tom announces at the start. In Austin Pendleton and Peter Bloch’s production at the Wild Project, Tom’s memories not only haunt the character but literally haunt the entire production with an array of spooky stage effects, which lay a chill on the evening that only the playwright’s poetry can defrost.