A 16-year-old prep school student takes a train to New York City, spends some time in a bar, encounters odd sexual shenanigans in a hotel room, and struggles with an assortment of inner conflicts. In 1951, J. D. Salinger turned this scenario into gold with The Catcher in the Rye. But, in the TUTA Theater Company’s abstract and lumbering production of a 2011 play by Adam Rapp, these same elements hold little value. With extensive doses of narration broken only by a few unexplainable affronts of noise and light, The Edge of Our Bodies shares a border with the limits of our patience.