It can be difficult to write a play that has both artistic and political merit, one that is dramaturgically sound and makes a political point emphatically. Often such plays succeed as agitprop, not so much as well-crafted works of theater. Abbe Tanenbaum doesn’t fall into the usual trap with her new drama What Kind of Woman: Abortion, the issue at hand, isn’t even discussed in depth until nearly halfway through the play, and the interpersonal drama is pleasant to watch unfold. Her characters and story lines could be developed more solidly, however.