Alan Hruska’s Ring Twice for Miranda, at City Center Stage II, is not the only recent play that features a dystopian society—it joins last year’s Mercury Fur (by Philip Ridley), and Caryl Churchill’s Escaped Alone, recently at BAM, and Wallace Shawn’s Evening at the Talk House, playing at the Signature Theatre Center. Unlike those, however, it has startling echoes of—or perhaps pays homage to—European plays from the middle part of the last century—particularly ones by Jean Genet, Samuel Beckett and Jean Giraudoux.